PHOTOTECHNE

CARRERA AND PARTNERS LONDON

Proto-Aesthetic Apparatus. The proliferation of semiotics and simulacra after the deconstruction of syntax and analytic aesthetics through processes of commodification.


uk.linkedin.com/in/josephcarrera
twitter.com/phototechne

CarreraJ_NiépceN_PrinceR #/∞
Metafractal Appropriation Ø42 LDN 2014

Idag firar vi World Photography Day! Här är världens äldsta bevarade fototografi av Nicéphore Niépce, 1826.
https://mobile.twitter.com/Fotografiska/status/369445670794428416/photo/1?screen_name=Fotografiska

Richard Prince inspires Christie’s Instagram sale
Untitled (Cowboy) (1989) by Richard Prince. One of his Cowboy works features in the sale
http://uk.phaidon.com/agenda/art/articles/2014/march/27/richard-prince-inspires-christie-s-instagram-sale/

AdamsE_CarreraJ_LinfieldS_SontagS_UtN #/∞
Metafractal Appropriation Ø41 LDN 2014

SUSAN SONTAG: “Speech and Inteview at Wellesley College (1975)

June 8, 1972 @ Nick Ut. Excerpt from a speech delivered at a Wellesley College photographic symposium on April 21, 1975. I am a writer and a filmmaker. I don’t consider myself a critic, and I am above all not a critic of photography. But it’s from that strictly independent and freelance position that I […]

http://www.americansuburbx.com/?s=sontag&submit=Search

SUSIE LINFIELD: “An Excerpt from ‘The Cruel Radiance, Photography and Political Violence’” (2010)

Eddie Adams, Saigon Execution, Vietnam, 1968. A Little History of Photography Criticism; or, Why Do Photography Critics Hate Photography? (An excerpt from The Cruel Radiance, Photography and Political Violence) By Susie Linfield In 1846, Charles Baudelaire wrote a short essay called “What Is the Good of Criticism?” This is something that virtually every critic asks […]

http://www.americansuburbx.com/?s=susie+lingfield&submit=Search

CarreraJ_PrinceR_RosenthalJ #/∞
Metafractal Appropriation Ø4 LDN 2014

Richard Prince inspires Christie’s Instagram sale
Untitled (Cowboy) (1989) by Richard Prince. One of his Cowboy works features in the sale

http://uk.phaidon.com/agenda/art/articles/2014/march/27/richard-prince-inspires-christie-s-instagram-sale/

Members of the United States Marine Corps raise the American flag on Mount Suribachi on February 23, 1945 after the Battle of Iwo Jima, one of the most costly battles of the Pacific campaign during World War II. More than 6,000 United States Marines fell during the capture of the island.
Joe Rosenthal
Location:Iwo Jima, Tokyo, Japan
Credit:© CORBIS
Licence Type:Rights Managed (RM)

http://www.corbisimages.com/stock-photo/rights-managed/NA001256/marines-raising-american-flag-on-iwo-jima?popup=1

Archizoom_CarreraJ_ SongZ #/∞
Metafractal Appropriation Ø32 LDN 2014

Archizoom, Condominium for Historic Center, 1969
http://archiveofaffinities.tumblr.com/tagged/archizoom
Ziwei Song‘s Skyvillage, LA, 21c.
http://www.psfk.com/2014/03/the-pollution-cleaning-floating-village-that-could-be-built-above-la-freeways.html

CarreraJ_ FeiningerA_KahloF_KahloG #/∞
Metafractal Appropriation Ø31 LDN 2014

MOLAA  FRIDA KAHLO, HER PHOTOS  March 15 — June 8, 2014  “Frida Kahlo,” by Guillermo Kahlo, 1932
http://www.molaa.com/Art/Exhibitions/upcoming-exhibitions/Frida-Kahlo—Her-Photos.aspx

ATLAS GALLERY Collected Works 7 Mar—26 Apr ANDREAS FEININGER The Photojournalist,1955 (p.1992)
http://www.atlasgallery.com/

AnemicR_CarreraJ_FreelandTH_HammanN #/∞
Metafractal Appropriation Ø3 LDN 2014

DE BUCK GALLERY NY
20 Feb—26 Mar
http://www.debuckgallery.com/
RUBY ANEMIC
Slower Than God
http://t.co/16x4G3iRQm

MOVING IMAGE
http://www.moving-image.info/artistnerminehammam/
Maraya Art Centre
http://www.maraya.ae/
NERMINE HAMMAM
Metanoia, 2010
http://t.co/iaeuO6tnO2

MOVING IMAGE NY
6—9 March 2014
http://www.moving-image.info/new-york/
TESSA HUGHES—FREELAND
Nymphomania, 1993. single-channel video http://t.co/mhx8DpN1kp

CarreraJ_MorrellA_NaderZ #/∞
Metafractal Appropriation Ø22 LDN 2014

Zach Nader
optional features shown, 2012
http://www.moving-image.info/artist-zach-nader/
Microscope Gallery Brooklyn NY
www.microscopegallery.com

Abelardo Morell (American, b.1948)
Camera Obscura Image of the Brooklyn Bridge in Bedroom, 1997
http://www.artnet.com/auctions/artists/abelardo-morell/camera-obscura-image-of-the-brooklyn-bridge-in-bedroom

AvetaH_CarreraJ_NiépceN #/∞
Metafractal Appropriation Ø21 LDN 2014

Hugo Aveta “Untitled #3 — Ritmos primarios, la subversiòn del alma”, 2013
http://nextlevelgalerie.com/en/artistes/oeuvres/1138/hugo-aveta

Idag firar vi World Photography Day! Här är världens äldsta bevarade fototografi av Nicéphore Niépce, 1826.
https://mobile.twitter.com/Fotografiska/status/369445670794428416/photo/1?screen_name=Fotografiska

AlbertiLB_CarreraJ_ColabellaE_PillsburyM #/∞ Metafractal Appropriation Ø192 LDN 2014

CITY STAGES, PHOTOGRAPHS BY MATTHEW PILLSBURY
Feb 20, 2014 — Mar 27, 2014
Matthew Pillsbury
La Joconde, Salle des Etats, Musée du Louvre, Paris, 2008
@ Matthew Pillsbury / Aperture Gallery / Bonni Benrubi Gallery, New York
http://www.parisphoto.com/agenda/matthew-pillsbury

Identity, a double vision in a generative process Prof. Enrica Colabella, architect La Città Ideale, tavola di Urbino, Leon Battista Alberti. http://www.generativedesign.com/asialink/de23.htm

AlbertiLB_CarreraJ_ColabellaE_ScottBrownD_VenturiR #/∞
Metafractal Appropriation Ø191 LDN 2014

Identity, a double vision in a generative process
Prof. Enrica Colabella, architect
La Città Ideale, tavola di Urbino, Leon Battista Alberti.
http://www.generativedesign.com/asialink/de23.htm


Robert Venturi & Denise Scott Brown in Las Vegas, 1968 (image courtesy of Venturi, Scott Brown & Associates, Inc.)
http://www.adammarcus.com/writings/denise-scott-brown-and-robert-venturi

AlbertiLB_CarreraJ_ColabellaE_MiesVderRoheL #/∞
Metafractal Appropriation Ø19 LDN 2014

http://m.facebook.com/notes/mies-van-der-rohe/the-seagram-building-20th-century-masterpiece/10150223880816226

Identity, a double vision in a generative process
Prof. Enrica Colabella, architect
La Città Ideale, tavola di Urbino, Leon Battista Alberti.
http://www.generativedesign.com/asialink/de23.htm

Fixed. theme by Andrew McCarthy